History is Made to Seem Unfair Oil on canvas, 2021 |
Artist Statement: It is a mistake to limit the sublime parts of our world to sunsets and flowers- if you have ever seen a forest fire, or indeed any fire larger than your body, you can understand why our ancestors feared and worshiped this tremendously beautiful and deadly force, and why the ecclesiastical Greek phrase baptisma pyros was used to denote the grace of the Holy Spirit through baptism. To encounter God is to be awed, and to know a power that is wholly other. To be immersed in this power, even for a moment, is to glimpse the death of the small self, to have the small parts of you, the parts that burn and hurt and resent and pout, consumed. It is to stand stunned on a hillside and realize, “That was not me at all. That was never me.” Bio: Michael Prettyman is an artist and scholar who grew up on the Gulf of Mexico in Florida's fabled Redneck Riviera. He moved to New York city in 1994. He holds a master’s degree in theology from the Harvard Divinity School He studied at the Academy of Art and the School of Visual Arts in New York City. He has been painting his entire adult life, with gallery shows in New York City, Hong Kong and Barcelona. He has exhibited at the United Nations General Assembly, The American Museum of Natural History, the Tsvetaeva Museum of Art in Moscow and the National Museum of Art in Almaty, Kazakhstan. He has studied meditation and thangka painting a the Tsering Monastery in Kathmandu, Nepal. |
~ SACRAMENT AND IMAGE ~ |
Jim Baker 1 |
Catherine D. Kerr 1 |