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Thomas Faulkner
Bradford Johnson

   
 

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  Beverly Brookshire
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Mel Ahlborn

Chapter: San Francisco


Late Have I Loved You

1997
Gold leaf, gouache
and watercolor
on Arches Textwove
22” w x 44” h


Others’ words can ripple, echoing a charged resonance within us, sparking recognition, even love, in our own inner naves. Trying on the inward sightings of others can clothe us gently, even if for a moment, easing us towards the places where our own feet form root and bridge.

In “Late Have I Loved You”, I chose the words of Augustine to enclose and diffuse the mantle of a woman suspended in the weightless moment of perceived grace. Augustine’s words trace a fluid line between her ordinary waking world and her awareness of ‘that which is hoped for’. It is a penetrable, fragile cloak. Her feet rest on two spheres, one which is seen and one which is less seen. Her left hand holds an active flame whose source is unseen yet flows within her, symbolizing the ‘fire which does not burn’. Her right hand drops a flower, representing her turning away from the beauty of the visible world, and alludes to her choosing the inner world of spiritual life.

The text: “Late have I loved you, O beauty so ancient and so new. Late have I loved you. For behold you were within me and I outside and I sought you outside and in ugliness fell upon those lovely things which you have made. You were with me and I was not with you... I was kept from you by those things, yet had they not been in you they would not have been at all. You called and cried to me and broke upon my deafness and you sent forth your light and shone upon me and chased away my blindness. You breathed fragrance upon me and I drew in my breath. I tasted you and now I hunger and thirst for you. You touched me and I have burned for your peace.”
St Augustine

Mel Ahlborn
MB Ahlborn – Illumination
55 Sanders Ranch Road
Moraga, CA 94556
(925) 631-1387
E-mail: illumination@earthlink.net

www.illuminationstudio.org

 

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©2004 The Episcopal Church and Visual Arts