The iconography of the Holy Trinity
is based on the story of three men, or angels, appearing to
Abraham by the Oak of Mamre (Genesis 18). The early Fathers took
this as an image of the Holy Trinity. Icons of this scene, called “The
Hospitality of Abraham,” originally
included Abraham and Sarah and members of their household preparing
a feast for their visitors. In the early 1400s, Andrei Rublev, the
great Russian iconographer, took the traditional scheme and pared
it down to the three figures sitting around a table, focusing not
on an historical Biblical event but rather on the mystery of the
Trinity. The three figures, through their posture and gestures, suggest
a subtle, exquisite circular movement that nonetheless does not break
the sense of silence and peace—a solemn dance of three equals,
the Three in One. In this work, I followed as carefully and intentionally
as I could Rublev’s great icon. The experience of working at
the feet of the master, as it were, drew me deeper into my own contemplation
of this great mystery.
I began writing icons in 2003, in some hesitation and confusion.
A scholar by inclination and professional singer by training and
choice, I was called to iconography specifically and insistently,
and much against my better judgment. But God as always knows best,
and I am thankful to have been led to a calling I find full of wonder
and peace. I am deeply grateful to Father John Walsted of New York
for taking me on as a student and teaching me so much.
I "write" icons (as the process is called) using traditional
techniques and materials. The combination of natural elements—animal,
mineral and vegetable—is purposeful, uniting creation in the
icon to glorify God. Also as is traditional, I model my icons on the
ancient originals, those images that the church has over the centuries
accepted and revered as “windows on heaven.”
Community: Brattleboro, VT
Email: sacredicons@mac.com |