Jan Keeling
I love seeing the beauty and mystery in
everyday things, especially the way
light and shadow point up the magic that
is always there, but that we sometimes
miss. A little girl is dressed up for a
costume party. She hopes she looks
beautiful, but she doesn't know just how
beautiful she is. The lovely humanity of
her face is in shadow, but it is still
lovely. The sparkles in her wig mean at
least two things: 1) They are there
because she thinks they make her
beautiful 2) They are there because you
can find magic and beauty in every part
of life.
I have chosen to become a serious oil
painter after a career as an editor of
children's books, gardening books, and
academic papers. Creating realistic
paintings in oils is how I communicate
best with others who find the visual
world stirring. A realistic painting can
use the visual world to answer
questions. What do I feel? What do I
see? What will someone else see in what
I paint? Can I communicate a kind of
truth? And, eventually: where does this
truth originate?
Most of my paintings are of female
children, simply because my own children
are girls. I spent years keeping an eye
on them
–
the practical goal was to ensure their
safety; a welcome artistic byproduct was
to witness such beauty and poignancy
that what I remember from those years
forms the lion's share of my life's
visual memories.
A young girl's face, although it is in
shadow, is luminous with youth and
innocence. A very young child, dressed
in a young child's "finery," is looking
through a window at . . . something . .
. in the light. The elements of these
images are laden with emotion for me, in
quite mysterious ways. I paint because I
do not understand. I love, but I do not
understand the ground of the love.
Illuminating light bumps up against the
most shadowy mysteries.
Jan Keeling
email:
jkeeling@comcast.net |