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St George Slaying the Dragon
tempera on panel
Greek, c. 1600

   

John W. Dixon, Jr., Art as a Means of Thinking and of Grace

Spirit and matter, body and soul, are not separate things, not even two things in some kind of relation. They are conjoined in single bodies that stand solidly on the earth.

These bodies are not "realistic" in the ordinary sense of that word. They occupy space but the space is limited, cut off in the back by a make-believe mountain that limits the space to a kind of stage.

Byzantine art, the immediate forerunner of Italian art, set even scenes of vigorous action against a flat plane coinciding with the surface of the panel, thus closing off the scene immediately behind the figures.. Such paintings are objects in our space, not something we look through into an imagined space.

Giotto moved the rear plane back into the represented space so the figures belong in a world that is like our world but they have a distinct existence other than ourselves.

Thus the event is translated into true narrative.

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