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ECVA artists contributed
to evoking a sense of the sacred and mysterious at the annual
Epiphany West conference, held at Church Divinity School of
the Pacific (CDSP), in Berkeley California.
Epiphany West, presented by CDSP’s
Center for Anglican Learning and Leadership (CALL)
is an international conference that addresses critical issues in the
church, and attracts speakers and participants from around the
world. This year’s conference, held in January 2005, explored the
theme Welcoming Mystery: Theology, Space, and
Place, and included presentations, classes, and
workshops examining ways in which theology, architecture, history,
and culture shape one’s awareness of and participation in the
sacred. Throughout the four-day conference, 200 participants heard
about transforming the Episcopal Cathedral in Philadelphia to
encourage new liturgies, the concept of the sacred in nature in
Catholic Christian traditions in India, and about the correspondence
of religious and civic engagement at San Fernando Cathedral, in San
Antonio, Texas, steps away from the Alamo.
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Stations of the
Cross by Paul Fromberg (Photo by
Mel Ahlborn) |
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Epiphany West
workshops addressed many topics relating space and spirituality,
such as Gendered Space: An Asian Perspective, Monastic
Sacred Space, and Roadside Shrines. Conference classes
such as Holy Space in Celtic Christianity, The Emerging
Church, and Cultic Space in the Old Testament and Its
Meaning for Contemporary Christians, allowed time for in-depth
discussion and dialogue.
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The Fifth Station
of the Cross The Cross is Laid on Simon of Cyrene
by Eliza Linley (Photo by Mel
Ahlborn) |
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Any examination of space
and its effects on the spirit must include the contribution art
makes to one’s sense of the sacred. Epiphany West
2006 was fortunate in that ECVA art was present to
illustrate that fact. The Hoarfrost, a painting by
Kate Curry, along with Holy Meadow, by
Brie Dodson, greeted conference participants in the
Courtyard Gallery, along with Benjamin Privitt’s
and Matt Warren’s photography series and
Paula Wallace’s paintings, The Gift of Myrrh
(Balthazar) and Magi. A Stations of the
Cross installation by Paul Fromberg graced the
Denniston Refectory, where guests gathered for conference
presentations. CDSP’s Tucson Common Room was another location
for displays by ECVA artists; Dan Hardison’s
photos Holy Mountain and The Rose and
Eliza Linley’s silk paintings depicting the
Stations of the Cross were focal points where guests could gather
and meditate on the lectures they heard throughout the week.
In addition, Iconography by Betsy Porter linked
East and West with its approach to
portraying the holy in a manner rich with
symbolism.
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A Display of
Icons by Betsy Porter (Photo by
Mel Ahlborn) |
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As the sponsor for
Epiphany West, CALL was
delighted to join ECVA in its efforts to encourage
institutions to incorporate visual arts in their programs.
CALL offers 40 online courses for both lay and
ordained individuals, and, in addition to the Epiphany
West conference, sponsors speakers’ series on issues
critical to the church and society. To find out more about
CALL programs and CDSP, visit http://www.cdsp.edu/.
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